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Color finesse effect after effects
Color finesse effect after effects








color finesse effect after effects color finesse effect after effects
  1. COLOR FINESSE EFFECT AFTER EFFECTS HOW TO
  2. COLOR FINESSE EFFECT AFTER EFFECTS PRO
  3. COLOR FINESSE EFFECT AFTER EFFECTS PLUS
  4. COLOR FINESSE EFFECT AFTER EFFECTS PROFESSIONAL

Bob Currier explains how to auto white-balance using a feature of Synthetic Aperture Color Finesse that appeared in After Effects CS5:ĭon't be scared away by the modal UI, there's a lot more to Color Finesse, so check out the Synthetic Aperture training resources page, which lists almost every resource available. CC Color Neutralizer was noted in Todd Kopriva's overview of AE CS6, by Lance Evans in Creative Bloq, and recently demonstrated in After Effects by Mikey Borup.įor After Effects, there are several options, most of which essentially move RGB balance or hue and saturation in the opposite direction of the color cast. You have to do a little file management to enable the plug-in, and you need to use the older AECC version of the plug-in (not CC 2014), but it's useful for other C圜ore effects too.

COLOR FINESSE EFFECT AFTER EFFECTS PRO

Recently in White Balance in Premiere Pro CC, instead of using the Fast Color Corrector, Eran Stern showed how to use the Cycore Color Neutralizer effect (included with After Effects) to white balance inside Premiere Pro. You'd still most likely need to adjust black and white levels, since White Balance changes color wheel balance and gain but doesn't isolate luminance.īy the way, there's also an Auto Balance control in Red Giant Colorista II (not found in the Colorista Free or in Rebel CC), if you want an advanced 3-way color corrector for AE and NLEs. If you're looking for a more succinct explanation see Pamela Berry's video tip.

COLOR FINESSE EFFECT AFTER EFFECTS PLUS

Also quite good are books from Steve Hullfish: Color Correction for Video (older but practical) and The Art and Technique of Digital Color Correction(practical plus drawing from top colorists).Īndrew Devis explains using the the White Balance control chip in the Fast Color Corrector in Premiere Pro CS6 Techniques: 51 Color FIVE: Color Cast (Fast Color Corrector does dynamic link to AE, but without the pretty UI). Peachpit Press has a sample chapter on Primary Color Adjustments, if you want a peek.

COLOR FINESSE EFFECT AFTER EFFECTS PROFESSIONAL

You can find comprehensive authoritative information on color correction from Alexis Van Hurkman in his Color Correction Handbook: Professional Techniques for Video and Cinema. There's much more on color correction in general in Premiere Pro Help.įor all things color, see the Tao of Color Grading newletter for regular news on color correction and grading. In color correction, tonal correction generally comes first: black levels first, then white levels. If the Divide mode solid method isn't for you, it may or may not take only a few more clicks with the more established methods offered by Adobe. There isn't a one-click solution for white balance by Adobe, but a simple tool had been offered by Francois Tarlier, ft-Auto White Balance, which wasn't upgraded past CS6. You can dig deeper on the newer modes with Ben Rollason ( AE scripts), who showed how to emulate these modes before they appeared in After Effects in Subtract and Divide Blending Modes in AE CS4. There's older similar pieces on PVC, Blend Modes in Adobe Premiere Pro and CMG Hidden Gems: Chapter 9 – Blending Modes, but the movies on modes really do explain the composite modes and blending mode groups well. The same class has more great explanations of using solids and gradients for tinting, as well as a Modes explained module. You can find details of the relatively obscure Divide mode method in Free Video: Quick & Easy White Balance Adjustment, which is from the class Premiere Pro and After Effects: Enhancing Production Value with Chris Meyer. Eran Stern also recently added a method, using CC Color Neutralizer in Premiere. There are a number of ways to white balance footage in After Effects and Premiere Pro, and Chris and Trish Meyer recently added another method, sampling with the Tint effect on a Solid layer set to Divide mode above the source layer.










Color finesse effect after effects